It contains all the chord tones contained in a 7#5 chord. You may notice that certain phrases appear in many solos. To understand the major scale we have to go back to the chromatic scale. Modes Of The Jazz Minor Scale a) Jazz Minor b) Dorian ”2 c) Lydian Augmented d) Lydian ”7 (aka Lydian Dominant) e) Mixo-Lydian 6 f) Locrian Œ2 g) Super Locrian h) The Altered Scale 3. (Very stylistic of ‘Jazz’) ! It is necessary to emphasise the 7th, to create harmonic tension. C Major over Cmaj7) Lydian Play over: Major 7th (Sharp 11th) chords (e. ! When leading back into Chord I, end a phrase Major Scale 1 4 3 1 1 1 2 2 2 2 3 A 4 4 4 4 4 1 4 3 1 1 1 2 2 2 2 3 4 4 4 4 Major Scale Sae B b B C b 1 4 3 1 1 1 2 2 2 2 3 4 4 4 4 5 1 4 3 1 1 1 2 2 2 2 3 4 4 4 4 6 Just because you practice scales, chords, patterns, and exercises doesn’t mean you will sound stiff and mechanical, OR that you will become a jazz great! But it’s a means to an end. To maintain this website, we need your help. This scale is commonly used over the iim7 and Im7 chords in both iim7-V7-Imaj7 and iim7b5-V7alt-Im7 progressions. Scales serve as very useful exercises to develop technique and coordination, and are essential building blocks for being able to improvise on the guitar. Over 200 scale and arpeggio shapes! Printable PDF eBook for instant download.
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